My work in the WSA Degree Show (left) and in For The Time Being (right). It was great having 2 such different spaces to exhibit in. At WSA, the piece was in a huge, open, light space, in a fairly silent room. In London the room was tiny and dark, and my work was alongside a couple of pretty loud pieces. I made the decision not to take the plinth to London with me, and I’m glad I did - it would have looked huge and incongruously white in that little black room. Instead, the tvs were on the floor. I’d never pictured it like that at all, but I think I might have actually preferred it.